Join some of the choreographers for Seed as they take over select Open Company Class over the next 2 months. Classes are on Wednesdays from 10:00-11:30.
- Jan 29 – Erica Buechner
- Feb 5 – Cecily Holcombe
- Feb 19 – Anna Medina
- March 12 – Bernard Brown
Bernard Brown
Bernard Brown is a performer, choreographer, arts activist, and educator who situates their work at the intersection of Blackness, Queerness, and memory. With an extensive ongoing performing career, Brown now serves as Director of Bernard Brown/bbmoves – a social justice dance company, choreographing for stage, specific sites, film, and opera. Brown’s choreography has been presented widely, including On the Boards, Dance Mission Theater, REDCAT, Royce Hall, Institute of Contemporary Art, Abrons Arts Center, Seoul International Dance Festival in TANK, and more. He choreographed Scott Joplin’s “Treemonisha” for Skylark Opera. Brown has received invitations, residencies, and commissions from Dance Italia, The Music Center, South Chicago Dance Theater, San Diego Dance Theater, among others. Their award-winning dance films have been screened in multiple countries including the Dance Camera West, ADF Movies by Movers(US), Manifest Dance Film Festival (India), Dance Camera Istanbul (Turkey), and the Oscar- qualifying African Diaspora Cinema Festival (Italy). Based in Los Angeles and San Diego, Brown facilitates workshops and master classes internationally, namely in Panama, Israel, Burkina Faso, and Brazil, and across the US including universities and community-centered organizations. A first-generation college graduate, Brown earned his MFA from UCLA and BFA from Purchase College. He is an Assistant Professor of Dance at UC San Diego, a Certified Katherine Dunham Technique Instructor, and is currently a California Arts Council Established Artist Fellow. The Los Angeles Times has called him “…the incomparable Bernard Brown…”
Cecily Holcombe
Anna Medina
Anna Medina is a Mexican-American dancer, teacher and choreographer. She began her dance training in Tijuana and continued in San Diego, Boston, and Irvine.
Anna completed her BA in Political Science and Minor in International Studies at Boston College. She graduated Magna Cum Laude from her Masters in Fine Arts in Dance at UC Irvine in California. She also participated in local government as a Council Representative and Arts Organization liaison in the City of San Diego
Currently, Anna is the Executive Director of Sylvia’s Dance Studio in Tijuana, Mexico. She earned the Best Choreography award at San Diego Dance Theater’s Emerging Choreographers Showcase and Awards with her work Hunger of the Flesh, featured in San Diego Union Tribune’s Year in Review: Looking back at local dance in 2023. Anna also received the Orion Choreographic Fellowship from Ballet Counterpointe and was invited to participate as a choreographer at Ballet Collective’s first choreographic lab. Anna recently debuted her latest piece titled Fémina Pop at 2024 San Diego’s Live Arts Fest.
Erica Buechner
Erica Buechner has had an extensive, professional dance career in San Diego. She performed for Mojalet Dance Collective, Eveoke Dance Theatre, IMAGOmoves, Wallpaper Performance Group, The PGK Project, Patricia Sandback and Dancers, and Joe Alter Dance Group, among others. She was the recipient of the 2018/2019 Creative Catalyst Grant through the San Diego Foundation. She co-produced youTurn Arts (2011-2017), choreographing four of the seven years. Erica was invited to choreograph for Live Arts Fest (2017) for San Diego Dance Theater and Dinner Dances (2017) and Sauced (2022) for Art Produce. Her work was selected for La Jolla Music Society’s inaugural CHOREOLab (2012) and San Diego Dance Theater’s Young Choreographer’s Prize (2012). Erica attended San Diego State University (BFA in Dance) and was named the Outstanding Graduate of the Year in Dance (2006) and given the Alumni To Watch Award (2011). She obtained her MFA in Dance from Hollins University/American Dance Festival (2013). Erica was named by the San Diego Union-Tribune as an “Artist to Watch” (2014).