Posts Tagged ‘keith johnson’

Recap: Master Class with Keith Johnson

Monday, February 8th, 2010 by malashockdance

Keith Johnson - 4 Sundays in February Master Class

35 dancers filled the Malashock Dance studio yesterday for the first class in our 4 Sundays in February Master Class Series!  Keith Johnson of Keith Johnson/Dancers in Long Beach gave a two-hour master class, teaching his technique and repertory.  Watch this video of excerpts from the class:

Students who enjoyed Keith’s master class should check out Katie Griffin’s weekly class at the Malashock Dance School, Wednesdays, 7-8:30 p.m. Katie has studied extensively with Keith at CSU Long Beach, where she received her BFA in Dance.

From the Master: Keith Johnson of Keith Johnson/Dancers

Wednesday, February 3rd, 2010 by malashockdance

Today’s blog is written by Keith Johnson of Keith Johnson/Dancers, the first teacher in our 4 Sundays in February Master Class Series.  Join him for class this Sunday, February 7, 11 am - 1 pm at the Malashock Dance School.

I have had a long, interesting career as a dancer/choreographer. I began training my body as a gymnast in my youth and began formal training in dance in my senior year of college. Because I had trained so intensely in gymnastics, my first few years of dance were all about letting go and shifting. I had understood physicality in only one way and I had to broaden my viewpoint of what physicality encompassed. Many times I was frustrated with my inability to ‘shift gears’ quickly to a new standard required by various teachers. What I found exciting and new was that each of these teachers had a strong point of view and a reason for making these choices involving their artistry. I was curious as to why each individual traveled down various pathways and enamored by their personal histories that help shape their art. In sports we were encouraged to leave our ‘personal stuff’ at the door and in dance I found it to be the opposite. I was encouraged to bring my life experiences to the studio. It was a new way to think about things and because of that I became more interested in the world.

I have had many great teachers in my career who have influenced me immensely. The teachers I respect most are the ones who taught me to push myself physically, emotionally, internally, and externally. They have given me life experiences that helped me become an artist. It was/is not always easy and many times I felt the sting of failure. I have learned to understand the ups and downs of this art form. I have celebrated life with people of varying backgrounds and ideologies. I have learned how to form opinions and allow others to have differing ones. I have learned that the body is resilient and tough but also has limitations. I have found grace in those limitations.

I am happy to be traveling this road. I am fulfilled meeting new dancers and helping them find their own voice. I am constantly seeking to find the unexplored in myself.

- Keith Johnson, Keith Johnson/Dancers

Join Keith in class on Sunday, February 7, 11 am - 1 pm
Malashock Dance School
2650 Truxtun Road, Studio 200, SD 92106
Class Fee: $20, Full Master Class Series: $60 (Get one class free!)
Sign up now!

Don’t Miss It: Master Class with Keith Johnson of Keith Johnson/Dancers

Monday, January 25th, 2010 by malashockdance

Don’t miss the first master class in the 4 Sundays in February Master Class Series!  In this exciting series of master classes, Malashock Dance proudly presents four Master Teachers/Choreographers from Los Angeles, Orange County, Long Beach, and San Diego. Each Sunday in February, experience the innovative techniques and powerful repertory of Method Contemporary Dance, Backhausdance, Keith Johnson/Dancers, and Malashock Dance.

Keith Johnson of Keith Johnson/Dancers Sunday, Feb. 7, 2010
11am - 1pm
Keith Johnson of Keith Johnson/Dancers (Long Beach)

Location: Malashock Dance
Dance Place San Diego
2650 Truxtun Road, Studio 200
San Diego, CA 92106

Class Fee: $20; BUY 3 CLASSES, GET THE 4TH ONE FREE!
Sign up now!

This advanced level technique class will have an emphasis on the alignment of the skeletal structure and the freedom this allows for expansive and dynamic movement. Emphasis is placed on the movement and articulation of the torso and how material is threaded through the center of the body to the extremities. There is a lot of repetition of material and re-enforcement of conceptual ideas with a focus on breath, dynamics, and athleticism. The skeletal structure is not separated from the muscularity of the movement but both work together to generate the ability to ride momentum and falling as a means of traveling. Both center combinations and across the floor work will involve highly athletic material. Be prepared to move.